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Philip Connors

Fire Season

Philip Connors Fire Season Field Notes From A Wilderness Lookout
 
 


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Main description:

A decade ago Philip Connors left work as an editor at the Wall Street Journal and talked his way into a job far from the streets of lower Manhattan: working as one of the last fire lookouts in America. Spending nearly half the year in a 7' x 7' tower, 10,000 feet above sea level in remote New Mexico, his tasks were simple: keep watch over one of the most fire-prone forests in the country and sound the alarm at the first sign of smoke.

Fire Season is Connors's remarkable reflection on work, our place in the wild, and the charms of solitude. The landscape over which he keeps watch is rugged and roadless—it was the first region in the world to be officially placed off limits to industrial machines—and it typically gets hit by lightning more than 30,000 times per year. Connors recounts his days and nights in this forbidding land, untethered from the comforts of modern life: the eerie pleasure of being alone in his glass-walled perch with only his dog Alice for company; occasional visits from smokejumpers and long-distance hikers; the strange dance of communion and wariness with bears, elk, and other wild creatures; trips to visit the hidden graves of buffalo soldiers slain during the Apache wars of the nineteenth century; and always the majesty and might of lightning storms and untamed fire.

Written with narrative verve and startling beauty, and filled with reflections on his literary forebears who also served as lookouts—among them Edward Abbey, Jack Kerouac, Norman Maclean, and Gary Snyder—Fire Season is a book to stand the test of time.

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“[A] compelling study of isolation, wildness, and ‘a vocation in its twilight’.”

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“[A] fascinating personal narrative . . . and a poetic tribute to solitude and the natural world.”

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“[A] fascinating, pyro-charged reflection. . . . For a man so drawn to solitude, Connors has a particular knack for writing characters. . . . [Fire Season] proves a nifty way to shake off the last of winter’s cold.”

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“[A] finely, wryly, at times poetically wrought first book. . . . Connors has succeeded in weaving many stories into one [and has found] a voice and new literary life in arid terrain where I, for one, had suspected there was little new life to be found.”

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“[A] lyrical, masterly debut from a first-class writer.”

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“[A] poetic, thoroughly researched, thrilling account of [Connors’] job as a fire lookout. . . . [I]lluminates the joys of solitude and the complicated nature of life in a volatile, untamable environment.”

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“[A] quietly moving love letter to a singular place. By the last page, I wanted to hike up to the tower, sip some whiskey with him and just look.”

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“[A] stunning gift of a memoir. . . . [A] profound (and at times hilariously profane) perspective on the relationship between humans and the earth. . . . Passionate and funny, Fire Season is an exciting new addition to the canon of American nature writing.”

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“[A]n engaging and highly readable mix of wilderness reflection, ode to solitude, and reasoned assault on forestry techniques.”

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“[A]n exultant take on the natural world. . . . [Connors] describes his lookoutry with understated exuberance, an engaging and measured enthusiasm for being alone in a beautiful place.”

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“[C]harming. . . . [Connors is] a careful observer delighting in nature and aware of what threatens it.”

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“[E]ngaging. . . . [Connors] sends thoughtful word from deep in the wilderness. . .”

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Fire Season both evokes and honors the great hermit celebrants of nature, from Dillard to Kerouac to Thoreau—and I loved it.”
—J.R. Moehringer, author of The Tender Bar

“[Connors’s] adventures in radical solitude make for profoundly absorbing, restorative reading.”
—Walter Kirn, author of Up in the Air

Phillip Connors is a major new voice in American nonfiction, and his remarkable debut, Fire Season, is destined to become a modern classic. An absorbing chronicle of the days and nights of one of the last fire lookouts in the American West, Fire Season is a marvel of a book, as rugged and soulful as Matthew Crawford’s bestselling Shop Class as Soulcraft, and it immediately places Connors in the august company of Edward Abbey, Annie Dillard, Aldo Leopold, Barry Lopez, and others in the respected fraternity of hard-boiled nature writers.

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