Last Night is a spellbinding collection of stories about passion–by turns fiery and subdued, destructive and redemptive, alluring and devastating. These ten powerful stories portray men and women in their most intimate moments. A lover of poetry is asked by his wife to give up what may be his most treasured relationship. A book dealer is forced to face the truth about his life. And in the title story, a translator assists his wife’s suicide, even as he performs a last act of betrayal. James Salter’s assured style and emotional insight make him one of our most essential writers

“Terrific fiction, written by an important writer. . . . All of these stories share Salter’s exquisite prose, his talent for flitting gracefully between points of view, his uncanny ability to sum up a character in a single detail. . . . These stories should be read and savored.”
–The Washington Post Book World

“For numerous reasons, all of which are dazzlingly illustrated in the new story collection Last Night, Salter seems to be the contemporary fiction writer whom other practitioners of the art hold in highest esteem.” –The Oregonian

“Life is a volatile mess, and no one portrays that mess better than James Salter. . . . All of the stories in Last Night are superb.”
–The New York Times Book Review

“A glowing gem in Salter’s remarkable body of work. Last Night should be X-rated, not for its eroticism, although there is that, but to forewarn the uninitiated of its scalding truths about the deceptions and devastations of love . . . Beyond the purity of language and the skill, each story has at its heart an underlying sensibility that treasures each moment of beauty, each burning day . . . Astonishing, haunting, heartbreaking.”
–Los Angeles Times Book Review
 
“Sophisticated, refreshing. Evoke[s] John Cheever [in] the flawless cadence of the narrative, the elegance of the style and the way the stories are filled with emotions without ever becoming sentimental . . . Wonderful.”
–Cleveland Plain Dealer
 
“Exquisite, pitch-perfect, timeless . . . You can practically smell the cigarette smoke and hear the booze-scratched timbre of Salter’s characters’ voices . . . In this era of chatter and distraction, Salter’s carefully honed stories offer a welcome precision.” 
–San Francisco Chronicle
 
“The maestro constantly stirs you as you read . . . The sentences alone create a certain breathlessness. Paradise, in Salter’s fiction, has always already been lost. Yet the memory of a greener time persists, if only in his prose. While reading it, how happy one is.”
–Chicago Tribune

“Terrific fiction, written by an important writer . . . All of these stories share Salter’s exquisite prose, his talent for flitting gracefully between points of view, his uncanny ability to sum up a character in a single detail . . . Salter’s people are smart, witty, libidinous and romantic, likely to experience their most important personal epiphanies at dinner parties or in fashionable restaurants. And almost all of the stories revolve around relationships in one way or another: faltering marriages, missed opportunities and betrayals, past loves resurfacing in unexpected ways. More than that, each of these stories has a secret hidden beneath a seemingly innocuous veneer, a moment at which Salter reveals that everything is not as it seems, [a moment in which] the story pivots on its axis and becomes something altogether richer and more complex . . . In an ideal world, his books would leap from shelf to cash register . . . These stories should be read and savored.”
–Washington Post Book World

“The ragged tumult of intimacy has long been the province of James Salter, writer of the exquisitely appropriate sentence; the excruciatingly penetrating short story; the impressionistic, incandescent novel. In A Sport and a Pastime, Light Years (arguably one of the best novels ever) and Solo Faces, he has taken the art of fiction into a realm all his own; in Burning the Days and Gods of Tin, he has made nonfiction high art. In his latest, Last Night, neither his style nor his content flags. He writes with intensity and serious intent, illuminating those places we try to hide, never letting us off the hook . . . Salter is a master at capturing that moment when matters go completely and unexpectedly awry. He then mines that moment for all its beauty, horror, poignancy, love, lust, loss, grief and confusion, and renders it in unforgettable prose.”
–Seattle Times

“Salter’s prose inspires revelations.”
–The New York Post

“If you put John Updike’s short fiction on the Atkins diet for a month, you might end up with something like James Salter’s lean and powerful new collection, Last Night. These stories unfold in the dark flower of relationships one petal at a time. As in Updike’s world, Salter’s men hold their cards close and keep their women at bay. Old girlfriends, current paramours and the dreams caught up with sexual freedom haunt the husbands of this book. These stories speak to human frailty without fear, and they hint at the way regret lingers around the faithful like fog to a streetlamp.”
–Philadelphia Weekly

“One of the best, most adult collections to appear in a long while . . . The feelings of Mr. Salter’s characters are lean and instantaneous. They deliver minimalist dialog that is more Hollywood than noir . . . Tragedy, then, is not the slow burn of the unfortunate but the sudden tumble of the rich. In several stories, it is a quick, indelible dinner conversation. Even Mr. Salter’s prose works by this puncture aesthetic . . . Perhaps this is why so many writers admire Mr. Salter: because he seems to do what he does in a single sentence. But it takes an entire story to smooth out the tablecloth; only then can he stain it.”
–New York Sun

“In his new collection, James Salter displays the kind of precise mastery of language that has led him to be described as a ‘writer’s writer.’ However, these explorations of love, dreams, disappointment and betrayal show that his insight into universal themes is more than a match for his literary prowess: This stunning collection confirms that he is also undoubtedly a reader’s writer. Salter captures the essence of a moment or character using only its sparest elements. Like light striking water at just the right angle, his language makes these stories shimmer with life . . . He limns the subtle layers of relationships that Hollywood tends to forget; the moments that reach deeper into the heart than histrionic epiphanies and sunset endings because they acknowledge the shadowy illogic of human emotions . . . Salter’s characters suffer the unglamorous defeats and disappointments of love. [He] avoids the black-and-white morality of wrong vs. wronged. Instead, he leads us through the inexplicable geography of emotions that lie in between. He navigates the territory with exceptional insight and skill: Bitter or silent, awkward or serene–or as clear and bright as morning light–Salter writes it just the way it is.”
–Rocky Mountain News

“Splendid . . . Perfectly constructed and marvelously accurate prose portraits . . . Salter gives up the vital facts about his characters slowly, almost on a need-to-know basis. The job of telling what his people are really like is accomplished by peeling off la