Internationall renowned film auteu Takeshi Kitano has been applauded for his challenging portrayals of manhood and men, most notably rogue gifures. Discerning fans of his cinematic oeuvre, however, have also appreciated the lyrical sensibility that infuses even his most violent works. In Boy, Kitano's essential vision is filtered through crystalline prose and the prism of childhood; the result is a gem of memory and nostalgia.

While his impressive cinematic output has been compared to, and introduced to the American public by, Quentin Tarantino and the like, Kitano's equally delightful gift for pure word-craft has been a better-kept secret of his native Japan. This first American translation of his literary fiction illustrates the notion of "boyhood" that has underlain all his work--as well as that of many a creator valuing generous and bold invention.

The three stand-alone tales take place at early, middle and late adolescence. In "The Champion in a Padded Kimono" two brothers--one a bookworm and the other a jock--learn a lesson or two about hope and desire on Sports Day. "Nest of Stars" features a different pair of brothers for whom stargazing becomes a poignant way of life. In "Okamesan", a very young history buff goes on his frst solo "field mission" to Kyoto where he runs into a girl from the wrong side of the tracks. Tender and funny, Boy is a perfect introduction to Kitano's world and a must-read for fans of the artist.

"The beginnings of Kitano’s intense and personal style can be seen in the three early stories contained in BOY. They offer insights into the later films and they have been extremely well translated by David James Karashima, who beautifully captures both the deadpan drollery and the wistful sentimentality."
–Donald Richie, The Japan Times Online

"Leave it to Vertical Publishing, magnates of Japanese pop culture in translation, to bring one of Kitano’s books to English-speaking audiences. [These stories] radiate a lovely combination of affection and nostalgia, the sort of thing Kitano has mined for the best of his own movies time and again, and they both complement and extend on his other work. They show up his genius for what it is."
– Serdar Yegulalp, thegline.com

"BOY's three ostensibly lighthearted tales, so personal in tone and intimate in details about drinking fathers, frightened brothers, and bullying classmates, put Kitano's identification with children in a clarifying light."
–Lisa Schwarzbaum, EW.com

"Kitano tells the tales simply and directly, avoiding flowery descriptions and clichéd melodrama, instead creating captivating stories that are subtle yet strongly visual….Much like the boys grow up in the boo, these tales will grow on you."
–Mark Rifkin, This Week in New York