| 1 |
Contrapunctus 1: Simple Fugue On The Subject In Its Original Form |
| 2 |
Contrapunctus 3: Simple Fugue On The Invented Form Of The Subject |
| 3 |
Contrapunctus 2: Simple Fugue On The Subject In Its Original Form, Counterpointed With A Dotted Rhythm |
| 4 |
Contrapunctus 4: Simple Fugue On The Inverted Form Of The Subject |
| 5 |
Canon alla duodecima in contrapunto alla quinta: Canon At The Twelfth, Two Voices |
| 6 |
Contrapunctus 5: Counterfugue On A Variation Of The Subject And Its Inversion, In Equal Note Values |
| 7 |
Contrapunctus 6 a 4 In Stylo Francese: Counterfugue On A Variation Of The Subject And Its Inversion, In Two Different Note Values |
| 8 |
Contrapunctus 7 a 4 per augment et diminut: Counterfugue On A Variation Of The Subject And Its Inversion, In Three Different Note Values |
| 9 |
Contrapunctus 8 a 3: Three-Voiced Tripe Fugue On Two New Subjects And A Variation Of The Main Subject |
| 10 |
Contrapunctus 9 a 4 alla duodecima: Double Fugue On A New Subject And Main Subject |
| 11 |
Contrapunctus a 3 c: Three-Voiced Mirror Fugue On A Variation Of The Subject And Its Inversion |
| 12 |
Contrapunctus inversus a 3 c: Complete Inversion Of The Previous Piece |
| 13 |
Contrapunctus 10 a 4 alla decima: Double Fugue On A New Subject And A Variation Of The Main Subject |
| 14 |
Contrapunctus inversus 12 a 4: Mirror Fugue On Variants Of The Subject In 3/2 Time |
| 15 |
Contrapunctus inversus 12 a 4: Complete Inversion Of The Previous Piece |
| 16 |
Contrapunctus 11 a 4: Triple Fugue On Two New Subjects And A Variation Of The Main Subject |
| 17 |
Canon alla ottava: Two-Voiced Canon At The Octave |
| 18 |
Fuga a 3 soggetti: Incomplete Fugue On These New Subjects |
