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W. G. Sebald

Campo Santo

W. G. Sebald Campo Santo
$3.53 Pre-owned
 
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Product Condition
All used items are in good or better condition. May have minor damage to jewel case including scuffs or cracks, or to the item cover including scuffs. The cover art and liner notes are included for a CD. VHS or DVD box is included. The majority of our disc games come in their case. The majority of our cartridge games do not include instructions or a case. No fuzzy/snowy frames on VHS tapes.
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“W. G. Sebald exemplified the best kind of cosmopolitan literary intelligence–humane, digressive, deeply erudite, unassuming and tinged with melancholy. . . . In [Campo Santo] Sebald reveals his distinctive tone, as his winding sentences gradually mingle together curiosity and plangency, learning and self-revelation. . . . [Readers will] be rewarded with unexpected illuminations.”
–The Washington Post Book World

This final collection of essays by W. G. Sebald offers profound ruminations on many themes common to his work–the power of memory and personal history, the connections between images in the arts and life, the presence of ghosts in places and artifacts. Some of these pieces pay tribute to the Mediterranean island of Corsica, weaving elegiacally between past and present, examining, among other things, the island’s formative effect on its most famous citizen, Napoleon. In others, Sebald examines how the works of Günter Grass and Heinrich Böll reveal “the grave and lasting deformities in the emotional lives” of postwar Germans; how Kafka echoes Sebald’s own interest in spirit presences among mortal beings; and how literature can be an attempt at restitution for the injustices of the real world.
Dazzling in its erudition, accessible in its deep emotion, Campo Santo confirms Sebald’s status as one of the great modern writers who divined and expressed the invisible connections that determine our lives.

“A writer whose work [belongs] on the high shelf alongside that of Kafka, Borges and Proust.”
–The New York Times Book Review

“Far outdoing even the best of these pieces are three set in Corsica. Perhaps intended as part of a new work of imagination, they compel a startled delight, and they compel painful regret–outrage even–that Sebald is gone and unable to continue.”
–Los Angeles Times Book Review

“Brilliant . . . rollicking, sorrowful . . . [a] wonderfully mellifluous translation.”
–The Boston Globe

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