“A secret garden of dark, glorious flowers: silky, heartbreakingly beautiful...and poison to their roots.”---Joe Hill, author of Heart-Shaped Box and Horns

“Yoko Ogawa is an absolute master of the Gothic at its most beautiful and dangerous, and Revenge is a collection that deepens and darkens with every story you read.”---Peter Straub

“It's not just Murakami but also the shadow of Borges that hovers over this mesmerizing book… [and] one may detect a slight bow to the American macabre of E.A. Poe. Ogawa stands on the shoulders of giants, as another saying goes. But this collection may linger in your mind — it does in mine — as a delicious, perplexing, absorbing and somehow singular experience.” ---Alan Cheuse, NPR

“Spine-tingling… These are shiningly sinister stories that grab you by the vulnerable back of the neck and don’t let go.” ---Elle  

“Magnificently macabre… Ogawa is the Japanese master of dread… These tales are not for the faint of heart, but Ms. Ogawa is more “Masque of the Red Death” than she is The Ring. She elevates herself above any limitations of the genre she’s working in.” ---The New York Observer

“[Revenge] Erupts into the ordinary world as if from the unconscious or the grave…. A haunting introduction to her work… the overall effect is [that of] David Lynch: the rot that lurks beneath the surface.” ---The Economist

“If creepy were a place, Ms. Ogawa has come up with many ways to get there… Even while punctuated [by] macabre flourishes her book maintains its restraint, like a dark alley that’s too quiet, or an insane person acting too calm.” ---Susannah Meadows, The New York Times   

“Every act of malice glows creepily against the plain background. It’s a book that ought to be distributed to every fiction-M.F.A. candidate who tends to overwrite: Ogawa is an expert in doing more with less.” ---New York Magazine

“Eleven creeptastic stories, complete with Murakami-esque weirdness.” ---io9

“Japan’s best teller of macabre tales… Ogawa is such a master that she pushes the boundaries and suspends the mystery… You never know ‘why,’ only that humans are slaves to time, and we keep on with our lives so that someday we might understand.” ---The Daily Beast

“A storehouse of creepy and vicious behavior… [Ogawa’s] touches of horror sometimes put me in mind of the grown-up stories of Roald Dahl.” ---Jim Higgins, The Milwaukee Journal Sentinel

“Woven through the 11 interconnected tales is a thread of the grotesque, the macabre, the mournful.… Ogawa’s language is both spare and searingly precise, crystallizing the details of everyday existence and capturing the unexpected shock of the bizarre…. Readers willing to explore the murkier edges of the human psyche will not be disappointed.” ---Associated Press

“Eleven carefully calibrated creepy stories… This deliciously dark new collection should bring new fans to the prolific Japanese author Yoko Ogawa.”---Jane Ciabattari, The Daily Beast

“Disturbing… the delicate, slow-burning eeriness [lingers] long after the book is put down.” ---Time Out (New York)

“Ogawa paints each tale exquisitely. . . . With dark calm and disquieting imagery, she leads readers on a journey of the macabre in a progression of tales that resound long after the last page is turned. . . . Ogawa’s writing is simple and effective, and her technique for merging the tales demonstrates her mastery of the written word.”---Kirkus

“[These are] haunted characters who could have walked, quite coolly, out of a Joyce Carol Oates or Koji Suzuki creation…. Not recommended for bedtime reading.” ---The Boston Phoenix

“Ogawa is original, elegant, very disturbing.”---Hilary Mantel, Booker Prize--winning author of Wolf Hall and Bring Up the Bodies

“A dynamite first-person voice, a story about reckless ridiculous twisted adolescent love in a summertime resort in Japan.”---Junot Díaz on Hotel Iris

“Exquisitely disturbing…Ogawa steadily builds the tension to an unexpected crescendo that resolves into an uncertain reprieve.”---Elle

“Ogawa’s fiction reflects like a fun-house mirror, skewing conventional responses….[Like] Haruki Murakami, Ogawa writes stories that float free of any specific culture, anchoring themselves instead in the landscape of the mind.”---The Washington Post Book World

“Using spare strokes and macabre detail, Ogawa creates an intense vision of limited lives and the twisted ingenuity of people trapped within them.”---Maureen Corrigan, NPR’s Fresh Air

“A conspicuously gifted writer…To read Ogawa is to enter a dreamlike state tinged with a nightmare, and her stories continue to haunt. She possesses an effortless, glassy, eerie brilliance.” —The Guardian (London)