| 1 |
Introduction; Opening Horn Call And Piano's Answer |
| 2 |
Rising Three-note Scalewise Pattern |
| 3 |
Quicker, Descending Six-note 'Answer' |
| 4 |
Second 'Answering' Phrase |
| 5 |
First Main Theme Completed By Orchestra |
| 6 |
Peace Shattered As Piano Bursts Back In Like A Tiger |
| 7 |
Variant Of Opening Horn Call In Bass |
| 8 |
Orchestra Returns, Beginning Of Exposition Proper |
| 9 |
Big, 'Singing' Theme In Orchestra; Piano 'Forgotten' |
| 10 |
Call To Arms By Strings; Marshalling Of Orchestral Forces |
| 11 |
Piano Re-enters Fray With Massive Expansion Of Opening Figure |
| 12 |
Piano 'Explores' Two Main Facets Of Opening Theme |
| 13 |
Transition. Sense Of Key Weakened. Piano And Orchestra Come Together |
| 14 |
Piano And Orchestra 'Argue' Over Speed Of Thematic Three-note Rise |
| 15 |
Piano And Orchestra In Friendly Dialogue Before Piano Falls Away |
| 16 |
'Winged' Harmonic Shadow Of Pure Pianistic Tone-Colour |
| 17 |
New 'Transitional' Theme From Orchestra Developed By Piano |
| 18 |
After Indecision And Discussion, The Mood Suddenly Turns Playful |
| 19 |
Reminder Of Second Main Theme In It's Original Form |
| 20 |
Transformation Of Second Main Theme By Piano |
| 21 |
Piano Hijacks Orchestra's 'Call To Arms' (First Heard In Track 10) |
| 22 |
Piano And Orchestra, Now Allies, Explore Theme, But With Piano Leading |
| 23 |
Dramatic Eruption Of Orchestra Leads To The Development Section |
| 24 |
Pianistic 'Tiger' Replaced By Gentle, Reflective, Soft-spoken Poet |
| 25 |
Transformed 'Tiger' Theme Amicably Shared By Piano And Orchestra |
| 26 |
An Apparently New Theme - But Battle Hymn Of The Republic? |
| 27 |
Brief, Downward-driving Section Prepares For The Recapitulation |
| 28 |
On The Threshold Of The Recapitulation |
| 29 |
Recapitulation: The Magical Return |
| 30 |
From Gate-crashing Tiger To Celestial Tenderness - And A Surprise |
| 31 |
An Unexpected And Portentous Change Of Mood, Suggesting Tragedy |
| 32 |
Summation |
| 33 |
First Movement (Complete) |
| 34 |
Second Movement: The Upward-driving Opening Gambit, Piano Alone |
| 35 |
Downward-driving Answer From Lower Strings (Violas, Cellos, Basses) |
| 36 |
Theme Vs Melody |
| 37 |
Eerie, Unharmonised, 'White' Sound Of Second Theme |
| 38 |
Second Theme Taken Up And Developed By Piano |
| 39 |
Expectation And Surprise; Harmonic Fluidity And Intensifying Drama |
| 40 |
Return (And Transformation) Of Theme Two |
| 41 |
Theme One Returns In Orchestra; Theme Three Emerges In Major Mode |
| 42 |
Sequence Of Fragmentary Episodes Begins With Unexpected Fanfare |
| 43 |
Variant Of Theme Three In Piano (Diabolical Piano Octaves) |
| 44 |
Rescored Variant Of 'Fanfare' Theme; From Grandeur To Solemnity |
| 45 |
Rhapsodic Variant Of Fanfare, This Time For Piano Alone |
| 46 |
Recapitulation Of Opening, With Piano And Orchestra Reversing Roles |
| 47 |
Theme Two Transformed By New Instrumentation |
| 48 |
Cue And Second Movement (Complete) |
