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kage BakerThe Machine's Childkage BakerThe Machine's ChildHARD COVER
UPC: 9780765315519Release Date: 9/19/2006
Series:Biographical note:
KAGE BAKER has been an artist, actor, and director at the Living History Centre and has taught Elizabethan English as a Second Language. Born in 1952 in Hollywood, she lives in Pismo Beach, California, the Clam Capital of the World Excerpt from book:
Chapter One One Evening in 300,000 BCE It was an undiscovered island in a shallow unnamed ocean, uncrossed yet by longitude or latitude. It was not large, no more than a few miles square. It had no topographical features of note, neither mountains nor cliffs. Its beach simply rose gradually from the water and, after a space of level rock and sand, sloped gradually down to the opposite shore. There was a building on the island, long, low, and windowless, like a warehouse. It had one door, and beside the door was an old couch, and on the couch sat an immortal, watching the sunset thoughtfully. If this has given the impression that the place was silent and still, nothing could be further from the truth. He sat motionless in the midst of a flurry of wildly moving things, the immortal did, and have I mentioned yet that he was very, very large? Massively mighty, with great thick hands and feet, a nose so big it was nearly comical-looking, big pale eyes under a vast cliff of a brow. Not much else of his features could be discerned, hidden as they were by an enormous tow-colored beard. You wouldn’t be looking at him anyway, if you were there, to wonder what his face might be like. You’d be looking at the things he’d made, the things that were moving without cease. The things all seemed to be part of a perpetual motion machine, belts, wheels, and pulleys driving and charging a generator that was hooked up to a refrigeration unit. There were other, smaller systems going, too, that seemed to be powering other machines somewhere inside the building. The motive power for all of them was supplied by human limbs. Legs mounted on a wheel ran frantically round, feet pounding endlessly on a treadmill. Arms thrashed and beat like hammers, their galvanic pumping harnessed to drive a complex geared mechanism. Flexible tubes supplied the parts with fluids to keep them from deteriorating. Creak, creak, thump, thump, round and round, and in the slanting light of evening, shadows circled like the shadows of birds across the old giant’s face. Presently he moved, too, reaching from the couch to open the door of the refrigeration unit. He brought out a beer, twisted its neck off, and settled into near-immobility again, now and then lifting the beer for a sip. The sun got lower and redder. It lit the emblem on the front of his coveralls: a clock face without hands. The immortal sat and thought. Then, abruptly, his eyes brightened. He’d had an idea. He lifted and drained the beer; then flung the empty bottle away. It struck a nearby mountain of other such bottles, clattering and rolling down. He ignored it. Lithe as a big cat he was on his feet, stalking through the door into the building that resembled a warehouse. He pulled a chain and dim illumination began to fill the place, increasing steadily as the desperate limbs quickened their pace outside. By the light of their effort was revealed an open work area, a steel table surrounded by unpleasant-looking machines, and by racks of gleaming tools and instruments. Against one wall, furniture had been arranged in a square to define living space: chair, table, bed, dresser, personal items, a place to prepare meals. Against another was a steel filing cabinet. The work and living spaces occupied only the front quarter of the warehouse. All the rest was rows and tiers of shelves, stretching away into impenetrable shadows. As far as the eye could "Vividly evoked. . . .Baker has a light touch, and her effervescent characterization and talent for social comedy make The Children of the Company picturesque and picaresque, sometimes extremely funny." -Nick Gevers, Locus
"Keep your eye on Kage Baker! You never know where she's heading next, but it's always worth going there. She's an edgy, funny, complex, ambitious writer with the mysterious, true gift of story-telling." --Ursula K. Le Guin "Kage Baker is the greatest natural storyteller to enter the field since Poul Anderson." -Gardner Dozois "The book unfolds through both Labienus' memories and the journals and artifacts of Victor and others caught in his web. As in the other Company novels, the time line spanned is prodigious, despite which Baker never stints on characters and details that capture the reader's fancy."--Booklist on The Children of the Company "Another entry in Baker's superlative series about Dr. Zeus . . . . An astonishing and thoroughly satisfying installment. What's more, Baker's overall concept and rationale, flawlessly sustained through five books, grows ever more spellbinding and impressive." --Kirkus Reviews (starred review) on The Life of the World to Come |
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