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Paul Auster

Travels In The Scriptorium

Paul Auster Travels In The Scriptorium
$5.79 Pre-owned
 
In Stock - Should ship Friday

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Product Condition
All used items are in good or better condition. May have minor damage to jewel case including scuffs or cracks, or to the item cover including scuffs. The cover art and liner notes are included for a CD. VHS or DVD box is included. The majority of our disc games come in their case. The majority of our cartridge games do not include instructions or a case. No fuzzy/snowy frames on VHS tapes.
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Biographical note:

Paul Auster is the bestselling author of twelve previous novels, including The Brooklyn Follies, Oracle Night, The Book of Illusions, and Timbuktu. His work has been translated into more than thirty languages. He lives in Brooklyn.

Excerpt from book:

Excerpt
 
The old man sits on the edge of the narrow bed, palms spread out on his knees, head down, staring at the floor. He has no idea that a camera is planted in the ceiling directly above him. The shutter clicks silently once every second, producing eighty-six thousand four hundred still photos with each revolution of the earth. Even if he knew he was being watched, it wouldn't make any difference. His mind is elsewhere, stranded among the figments in his head as he searches for an answer to the question that haunts him.
 
Who is he? What is he doing here? When did he arrive and how long will he remain? With any luck, time will tell us all. For the moment, our only task is to study the pictures as attentively as we can and refrain from drawing any premature conclusions.
 
There are a number of objects in the room, and on each one a strip of white tape has been affixed to the surface, bearing a single word written out in block letters. On the bedside table, for example, the word is table. On the lamp, the word is lamp. Even on the wall, which is not strictly speaking an object, there is a strip of tape that reads wall. The old man looks up for a moment, sees the wall, sees the strip of tape attached to the wall, and pronounces the word wall in a soft voice. What cannot be known at this point is whether he is reading the word on the strip of tape or simply referring to the wall itself. It could be that he has forgotten how to read but still recognizes things for what they are and can call them by their names, or, conversely, that he has lost the ability to recognize things for what they are but still knows how to read.
 
He is dressed in blue-and-yellow striped cotton pajamas, and his feet are encased in a pair of black leather slippers. It is unclear to him exactly where he is. In the room, yes, but in what building is the room located? In a house? In a hospital? In a prison? He can't remember how long he has been here or the nature of the circumstances that precipitated his removal to this place. Perhaps he has always been here; perhaps this is where he has lived since the day he was born. What he knows is that his heart is filled with an implacable sense of guilt. At the same time, he can't escape the feeling that he is the victim of a terrible injustice.
 
There is one window in the room, but the shade is drawn, and as far as he can remember he has not yet looked out of it. Likewise with the door and its white porcelain knob. Is he locked in, or is he free to come and go as he wishes? He has yet to investigate this matter--for, as stated in the first paragraph above, his mind is elsewhere, adrift in the past as he wanders among the phantom beings that clutter his head, struggling to answer the question that haunts him.
 
The pictures do not lie, but neither do they tell the whole story. They are merely a record of time passing, the outward evidence. The old man's age, for example, is difficult to determine from the slightly out-of-focus black-and-white images. The only fact that can be set down with any certainty is that he is not young, but the word old is a flexible term and can be used to describe a person anywhere between sixty and a hundred. We will therefore drop the epithet old man and henceforth refer to the person in the room as Mr. Blank. For the time being, no first name will be necessary.
 
Mr. Blank stands up from the bed at last, pauses briefly to steady his balance, and then shuffles over to the desk at the other end of the room. He feels tired, as if he has just wok
A man pieces together clues to his past--and the identity of his captors--in this fantastic, labyrinthine novel

An old man awakens, disoriented, in an unfamiliar chamber. With no memory of who he is or how he has arrived there, he pores over the relics on the desk, examining the circumstances of his confinement and searching his own hazy mind for clues.

Determining that he is locked in, the man--identified only as Mr. Blank--begins reading a manuscript he finds on the desk, the story of another prisoner, set in an alternate world the man doesn't recognize. Nevertheless, the pages seem to have been left for him, along with a haunting set of photographs. As the day passes, various characters call on the man in his cell--vaguely familiar people, some who seem to resent him for crimes he can't remember--and each brings frustrating hints of his identity and his past. All the while an overhead camera clicks and clicks, recording his movements, and a microphone records every sound in the room. Someone is watching.

Both chilling and poignant, Travels in the Scriptorium is vintage Auster: mysterious texts, fluid identities, a hidden past, and, somewhere, an obscure tormentor. And yet, as we discover during one day in the life of Mr. Blank, his world is not so different from our own.

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