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F. Paul Wilson

Dark City

F. Paul Wilson Dark City Repairman Jack The Early Years
$8.35 Pre-owned
 
In Stock - Should ship Saturday

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Product Condition
All used items are in good or better condition. May have minor damage to jewel case including scuffs or cracks, or to the item cover including scuffs. The cover art and liner notes are included for a CD. VHS or DVD box is included. The majority of our disc games come in their case. The majority of our cartridge games do not include instructions or a case. No fuzzy/snowy frames on VHS tapes.
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  • $3.99 for the first item
  • $1.00 for each additional item
  • Expedited Shipping available at checkout for $6.99 per item

Series:

Repairman Jack

Biographical note:

F. PAUL WILSON, the New York Times bestselling author of the Repairman Jack novels, lives in Wall, New Jersey. In 2008, he won the Bram Stoker Award for Lifetime Achievement.

Excerpt from book:

1
 

The van speeding down Seventh swerved toward him as he stepped off the curb. Would have ripped off a kneecap if he hadn’t spotted it out of the corner of his eye and jumped back in time.
He’d come to West 23rd Street hunting lunch. Despite its grit and grime and unabashedly crass commercialism—or maybe because of it—Jack dug the big two-way cross street. Only a few blocks from his apartment, its mostly tiny storefronts offered a cross section of all the low-end merchandise available throughout the city, a mishmash of deep-discount, off-brand electronics, cheap luggage, Gucci knockoffs, the ever-present XXX peep shows, a dizzying selection of ethnic fast foods, plus an endless variety of VHS tapes, music cassettes, and CDs—all bootleg.
The humanity crowding the sidewalks was always varied, but on a Saturday at midday, despite the February cold, even more so. As a white guy in jeans and a denim jacket over a flannel shirt, Jack was barely noticeable among the yellow, black, and various shades of mocha, the saried Hindus, turbaned Sikhs, straights, gays, and unsures, socialists and socialites, bankers and bohos, tourists and transvestites, holies and harlots, felons and fashion victims, viragos and virgins, commies and capitalists, artistes and Aryans.
He was going to miss the bustling energy when he moved uptown, but reminded himself it would remain just a few subway stops away.
Still, despite all the varied bright colors, the city had a dark feel. The recession was holding on, casting a pall that refused to lift, and everyone was feeling it.
Back in the day, his father used to come into the city now and then to visit Uncle Stu in his three-story brownstone a little ways downtown and toward Eighth Avenue. Sometimes he’d drag Jack along. Dad would always come away with samples of Uncle Stu’s single-malt Scotches. Long gone was the Nedick’s where they’d stop and grab hot dogs with the weird rolls and delicious pickle mustard. A McDonald’s filled its shoes now, but as much as he liked Big Macs, he wasn’t in burger mode at the moment. He eyed the line of chromed street carts along the curb. One offered Sabrett hot dogs—pass—while another offered mystery meat on a stick—pass again.
He paused near Seventh Avenue, before the redbrick and wrought-iron façade of the Chelsea Hotel. Across the street he spotted a gyro cart he’d visited in the past. The owner, Nick, had a vertical propane rotisserie that he used to cook the meat. He fresh-carved the slices and wrapped them in a pita with onions and a cucumber-yogurt sauce. Jack’s mouth was already watering. Yeah, that would do nicely.
That was when he’d stepped off the curb. That was when the gray, unmarked commercial van damn near killed him.
It swerved to a screeching halt a half dozen feet away and he took a step toward it, ready to give the driver hell. But then the side panel slid back and three dark-skinned guys about his age erupted from within. Two wore beads and had scarf-wrapped heads, the third wore a backward trucker cap—typical streetwear, nothing special. Then Jack noticed that all three carried short, shiny machetes and looked out for blood. When Rico leaned out the front passenger window and screamed something in Spanish, Jack got the picture.
He turned and ran.
Last fall he’d been leading an uncomplicated life as a cash-paid landscaper/gardener, the lone gringo among Dominican immigrants in a five-man crew for Two Paisanos Landscaping. Rico, a member of that crew,

“Repairman Jack is one of my favorite characters—I'm full of happy anticipation every time I hold a new RJ novel in my hands.”
—Charlaine Harris, author of the Sookie Stackhouse novels

“Sci-Fi, horror, crime: it’s hard to define Wilson’s tale since it cannily incorporates all genres and, as always, the pivotal point is the inimitable Repairman Jack, one of the most original characters ever introduced to readers.”
RT Times, ****1/2 , on The Dark At The End

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